Originally swarm several years earlier as "Kids in America," "Take Me Home Tonight" is a pleasant-enough all-in-one-night comedy.
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Originally shot a number of years ago as “Kids in America,” “Take Me Home Tonight” is a pleasant-sufficient all-in-one-night comedy, featuring a protagonist encountering the timeless “Graduate”-favor existential dilemma of post-college paralysis. Drug usage, supposedly, was the culprit that prompted the long-on-the-shelf delay, with the characters — set adrift in the San Fernando Valley circa 1988 — easily partaking of cocaine and also wine coolers, in keeping via the times. Topher Grace has actually an amiable cinjury that renders for good company, and box office returns could be OK, gave younger auds have the right to be coaxed to leave house by the generic romantic comedy-sounding title.
Frankly, the movie would certainly be tolerable (and also it’s a little bit much better than that) based strictly on its lovingly chosen repertoire of ’80s songs, although oddly, the Eddie Money tune that ostensibly provided the new title isn’t among them.
Grace — who co-conceived the story with fellow producer Gordon Kaywin — plays Matt, an MIT grad aimlessly killing time functioning at the neighborhood videosave. (Sadly, the made-over Shermale Oaks Galleria, memorably featured in “Fast Times at Ridgemont High,” deserve to no longer play itself, so lensing took area in Phoenix.)
Matt’s inner circle is composed of his friend Barry (Dan Fogler, cast aobtain as the crazy sidekick, offering wide slapstick-y relief), that skipped college to market cars; and twin sister Wendy (Anna Faris), that is associated via a doofus called Kyle (Chris Pratt) in the kind of romance that threa10s to siphon ameans her larger ambitions. Matt’s aimless summer is rocked, but, as soon as his high-college dreamgirl, Tori (Teresa Palmer), walks into the vidstore, prompting him to lie that he, as well, is working at an investment bank.
So Matt and also Barry attfinish Kyle’s massive Labor Day bash so Matt deserve to attempt to hook up via Tori, “borrowing” a spiffy Mercedes from Barry’s dealership. Toss in a left-behind bag of coke and also a side expedition to a Beverly Hills party held by Tori’s pervy boss (Michael Ian Black), and the result is a series of episodic encounters as Matt tries to woo Tori, that, despite her financial institution project, turns out to be every little bit as scared as he is.
Directed by Michael Dowse (“Fubar”), that scripted with the team of Jackie and Jeff Filgo, the movie has actually some nice little touches and some basic shortcomings. On the plus side, Tori accordingly enters to the strains of “Bette Davis Eyes,” and also when Barry stumbles on the coke, Matt quips, “Take it basic, Scarchallenge.” There’s also some nice interplay in between Matt and his cop dad (Michael Biehn), who urges him to take a shot at, well, something.
Unfortunately, Palmer’s crush-worthiness notwithstanding, Matt — even as soon as he gets previous his initial awkwardness — really has nopoint much to say to her, making the budding romance feel even more prefer an arbitrary construct rather than an organic breakthrough in any type of way.
In that regard, Grace is the movie’s saving grace. As he demonstrated in “Success a Date With Tad Hamilton” (and also “That ’70s Show,” which additionally took him ago a generation), the actor provides a fine, conveniently relatable romantic underdog. The movie also benefits from cameos by the likes of Demetri Martin and also Michael Ian Babsence.
In addition, the underlying premise — not discovering what you desire to carry out with your life in your beforehand 20s — is a timemuch less idea that have to resonate throughout generations, including not only youngsters like Matt still living at home, however most likely some of their antsy parents.
So the delayed release notwithstanding, “Take Me Home Tonight” feels prefer a pretty shrewd trip in the way-back machine, also if it’s not, to borrow an additional name from the Money catalog, a fully realized ticket to paradise.
Take Me Home TonightProduction:A Relativity Media release presented in association through Rogue and also Imagine Entertainment. Produced by Ryan Kavanaugh, Jim Whitaker, Sarah Bowen. Executive producers, Dany type of Wolf, Topher Grace, Gordon Kaywin, Tucker Tooley. Directed by Michael Dowse. Screenplay, Dowse, Jackie Filgo, Jeff Filgo; story by Grace, Kaywin.
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Crew:Camera (Technicolor, Panavision widescreen), Terry Stacey; editor, Lee Haxall; music, Trevor Horn; music supervisor, Kathy Nelson; production designer, William Arnold; art director, Elliott Glick; set decorators, David Smith, Donna Stamps; costume designer, Carol Oditz; sound (Dolby/Datasat/SDDS), Lisa Pinero; supervising sound editor, Robert C. Jackson; assistant director, David M. Bernstein; second unit director, Wolf; casting, Joanna Colbert, Ricdifficult Mento. Reregarded at Regal Cinemas L.A. Live Stadium 14, Los Angeles, Feb. 17, 2011. MPAA Rating: R. Running time: 97 MIN.With:Matt Franklin - Topher Grace Wendy Franklin - Anna Faris Barry Nathan - Dan Fogler Tori Frederking - Teresa Palmer Kyle Masterkid - Chris Pratt Bill Franklin - Michael Biehn Shelly - Lucy Punch Carlos - Demetri Martin Pete Bering - Michael Ian Babsence Music By: