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Welcome to my internet website, currently under breakthrough for more than 20 years. -- Philip Weller, November 13, 1941 - February 1, 2021 Dr. Weller, an Eastern Washington College professor of English and also Shakespearean scholar for more than 50 years.
Romeo and Juliet Navigator:Detailed Overview of Act 1, Scene 1Page Index:Go into Sampkid and also Gregory:Sampboy and also Gregory, servants of the residence of Capulet, go out trying to find trouble. Enter Abraham and Balthasar:Sampchild and also Gregory almost pick a fight through Abraham and Balthasar, servants of the home of Montague. Get in Benvolio:Seeing a Capulet kinsmale, Sampson and Gregory start to fight through Abraham and Balthasar. Benvolio tries to sheight the fight, however Tybalt enters and assaults Benvolio. The citizens of Verona attack both the Capuallows and Montagues. Capulet and Montague try to join the fight, however are restrained by their wives. Get in Prince Escalus via his Train:Prince Escalus stops the riot, threa10s everyone through death, and takes Capulet via him. Exeunt all yet Montague, Lady Montague, and Benvolio: Benvolio tells just how the brawl started, then Lady Montague asks wbelow Romeo is, and also Benvolio answers that he was up prior to dawn, wandering in the woods. The Montagues say that Romeo is afflicted through stvariety sorrows, and Benvolio provides to find out what"s wrong through him. Enter Romeo: Seeing Romeo coming, Montague and Lady Montague leave Benvolio alone to sheight with their son. Benvolio soon discovers that Romeo"s difficulty is that he loves a woman who does not rerotate his love. Benvolio tries to acquire Romeo to say that it is he loves, however Romeo will not. Benvolio additionally tries to gain Romeo to deal with his difficulty by searching for an additional womale, yet Romeo seems figured out to love and endure.Enter Sampkid and also Gregory:The opening phase direction reads, "Get in SAMPSON and also GREGORY, of the residence of Capulet, armed through swords and bucklers (1.1.1,s.d.). As viewers of the play, we don"t recognize that Sampchild and also Gregory are of the home of Capulet, however their apparel tell us they are servants of some great male. To make a large impression, affluent males dressed their servants in uniforms, referred to as "liveries." Present-day street gangs wear "colors" for similar reasons. Sampson and also Gregory"s swords and also bucklers (small round shields) are vital, also. Gentlemen wore swords, yet servants normally didn"t, and also bucklers were offered only for individual combat. (For some exciting background on the Elizabethan use of the sword and buckler, view the review of Jill L. Levenson"s ""Alla Stoccacarry out carries it away": Codes of Violence in Romeo and Juliet.") In short, we recognize at first glance that Sampboy and also Gregory are in search of trouble.It will not be long prior to these 2 will certainly find the trouble they are searching for, but in the meantime we will see that Shakespeare does not glamorize violence. Sampson is a boasting fool, and Gregory is even more interested in wordplay than swordplay. Any feud in which these two are affiliated have the right to only be silly and stupid. In the opening moments of the scene, Sampson talks difficult, and Gregory renders jokes at his price. It takes time to describe jokes, so you may uncover this area of the summary slow-moving going. Try to store in mind that things actually relocate easily. In much less than three minutes of phase time Tybalt will certainly be trying to kill Benvolio. Sampson states, "Gregory, o" my word, we"ll not carry coals" (1.1.1), and also Gregory replies, "No, for then we must be colliers" (1.1.2). The modern-day tantamount of "carry coals" is "take guff," yet Gregory pretends not to understand also, and says that if they carried coals, they would certainly be coal miners. Sampkid, reportedly not bright enough to understand also Gregory"s little joke, explains himself: "I intend, an we be in choler, we"ll draw" (1.1.3). To be "in choler" is to be angry, and Sampchild suggests that if they are angry they"ll attract their swords from their scabbards. Gregory answers through 2 puns: "Ay, while you live, attract your neck out o" the collar" (1.1.4). He"s saying that Sampkid will certainly not draw his sword, but attract his neck out of the hangman"s collar (i.e., noose). Gregory"s allude is that Sampchild, despite his challenging talk, isn"t likely to do anything that will get him in trouble through the legislation. (Later in the scene we"ll check out that Gregory is right around Sampchild.)Insisting that he"s a scary man, Sampchild claims, "I strike conveniently, being relocated " (1.1.5). Gregory responds by reversing Sampson"s words: "But thou art not quickly relocated to strike" (1.1.6). Sampson"s answer to this is "A dog of the house of Montague moves me" (1.1.7). This is a small puzzling, because he"s speaking as though he has simply checked out a Montague, yet the Montagues don"t show up until a tiny later. Maybe he"s illustration his sword and also placing his buckler in front of him to show what he would certainly perform if a Montague did display up. Gregory then proceeds to prove that Sampboy will run when he sees a Montague. Gregory"s proof is composed of interpretations of words: "To relocate is to stir; and also to be valiant is to stand : therefore, if thou art moved, thou runn"st away" (1.1.7-8). Sampchild declares that he will certainly stand up against any kind of Montague, and adds, "I will certainly take the wall of any male or mhelp of Montague"s" (1.1.9-10). The side of the street next to the wall, the farthest amethod from the horse droppings and open sewers, was the favored area. Inferiors were meant to yield the wall to superiors, and also therefore to "take the wall" of someone wregarding display disrespect to that perchild. Gregory contradicts Sampchild by utilizing a proverb, "the weakest goes to the wall," which means that the weak have to constantly yield to the solid. As such if Sampboy takes the wall, says Gregory, "That reflects thee a weak slave; for the weakest goes to the wall" (1.1.11-12). Gregory"s joke only provides Sampboy an opportunity to make also bigger boasts. He says, "True; and therefore womales, being the weaker vessels, are ever before thrust to the wall: therefore I will certainly push Montague"s guys from the wall, and also thrust his maids to the wall" (1.1.13-17). Sampboy is going to be the male who will frighten all the Montague males and screw all the Montague womales. Sorry for the crude language, but Sampson is a crude character, and he gets worse. Gregory points out that the feud is between the Capulet and also Montague males, not the women, however that makes no distinction to Sampson. He declares that he will certainly fight the males and also then politely reduced off the heads of the women. Or their maidenheads, "take it in what feeling thou wilt (1.1.25-26). Gregory responds via an additional pun, a relatively feeble one: "They have to take it in sense that feel it" (1.1.27). Gregory has turned the phrase "take it in what sense" into the expression "take it in sense," which implies "to feel via the physical senses," and also he means that it"s the Montague maids that are going to "take it in sense." This joke pleases Sampkid, because he"s certain he"s the stud that deserve to provide what the maids are going to "take in feeling." He states, "Me they shall feel while I am able to stand: and "tis known I am a pretty item of flesh" (1.1.28-29). Earlier Sampchild provided the word "stand" in the sense of "stand also and fight"; now he"s referring to the sturdiness of his male member. This brings one more joke from Gregory: ""Tis well thou art not fish; if thou hadst, thou hadst been poor-John" (1.1.30-31). "Poor-John" was the cheapest type of dried fish. Dried fish were generally marketed entirety -- head, tail, and all -- and also they were so thoabout dried that they were as tough as hardwood. Thus a dried fish can be compared to a man"s erection, and also Gregory"s joke is that Sampson"s "pretty piece of flesh" isn"t so pretty. At this suggest, the opponent appears, yet even that doesn"t stop the sex jokes. Gregory states, "Draw thy tool! here comes two of the residence of the Montagues" (1.1.31-32), and also Sampson answers, "My naked weapon is out" (1.1.33-34).Enter Abraham and also Balthasar:Seeing Abraham and also Balthasar, Sampson states to Gregory, "quarrel, I will certainly earlier thee" (1.1.33-34). This can make the audience laugh because Sampkid, who has been talking massive, now desires Gregory to go first. Gregory doesn"t have actually many confidence in Sampboy, and also he"s not done making jokes. He asks if Sampkid is going to "back" him by turning his back and also running ameans. Sampkid answers, "Fear me not" (1.1.36), interpretation "have no fears about me"; Gregory replies, "No, marry; I fear thee!" (1.1.37), interpretation "no opportunity I would ever be afrhelp of you."Not just does Sampchild desire Gregory to go initially, he"s so worried about acquiring in trouble with the regulation that he suggests they let Abraham and Balthasar begin the fight. Gregory claims he"ll frvery own as they walk by the various other 2, Sampboy has actually a better idea: he"ll bite his thumb at Abraham and also Balthasar. (Biting the thumb is a variation of "providing the fig," an obscene, insulting gesture. To offer a fig, you move your thumb in and out between your first 2 fingers. Do it, look at it, think around it, and also you"ll check out why it"s an insulting and obscene gesture.) In order to correctly bite one"s thumb at someone, you have to place your thumbnail simply behind your optimal teeth, then make a cracking sound by flicking your thumb towards the other perkid. Apparently Sampchild doesn"t carry out the whole thing, because Abraham asks, "Do you bite your thumb at us, sir?" (1.1.44). Sampson, looking pretty foolish through his thumb in his mouth, says "I do bite my thumb, sir" (1.1.45), and also Abraham asks aobtain, "Do you bite your thumb at us, sir?" (1.1.46).Sampchild, still worried about obtaining in trouble, asks Gregory if the legislation will be on their side if he claims "yes." Gregory tells him it will not, so all Sampkid dares perform is tell Abraham that he is not biting his thumb at him, yet he is biting his thumb. This is lame, and Gregory"s following attempt to get the Montagues to start the fight is pretty weak, also. He asks Abraham if he is quarreling through them. Abraham says he is not, and Sampchild says, "If you do, sir, I am for you: I serve as great a man as you"(1.1.54-55). Abraham asks, "No better?" (1.1.56). Abraham sees that Sampchild does not have the guts to say that Capulet is much better than Montague. To avoid having to walk ameans via his thumb in his mouth, Sampchild stalls, saying "Well, sir" (1.1.57). For a minute, it looks like nopoint is going to happen after all, yet then Gregory sees a kinsguy of Capulet.Get in Benvolio:Abraham has actually dared Sampboy to say that Capulet is better than Montague, however it does not occur until Gregory spots a Capulet kinsguy (perhaps Tybalt, who appears a moment later) and tells Sampkid, "Say "much better," below comes one of my master"s kinsmen" (1.1.58). It appears that Sampson and Gregory think that their grasp Capulet desires them to fight Montagues, so as soon as they check out that a Capulet kinsman is watching, they start to fight.Very conveniently, the fight establishes into a riot. Benvolio shows up and tries to soptimal the fight. Crying "Put up your swords; you understand not what you do" (1.1.65), Benvolio draws his sword to beat dvery own the swords of the four men. But Benvolio has scarcely gained his sword out of its scabbard before Tybalt mirrors up and calls out, "What, art thou drawn among these heartmuch less hinds? / Turn thee, Benvolio, look upon thy death" (1.1.66-67). "Heartless hinds" are cowardly servants, and Tybalt thinks that Benvolio should be ashamed to attract his sword among such lowly creatures. Benvolio asks Tybalt to aid him save the tranquility, however Tybalt answers, "What, attracted, and also talk of peace! I hate the word, / As I hate hell, all Montagues, and thee: / Have at thee, coward!" (1.1.70-72). "Have at thee" is what you say as you strike, and Tybalt attacks Benvolio. Instead of preventing the fight, Benvolio hregarding sign up with it. As quickly as Tybalt and also Benvolio begin fighting, some citizens, that are sick of both the Capuallows and also Montagues, join in. They shout, "Clubs, bills, and also partisans! strike! beat them down! / Dvery own with the Capulets! down with the Montagues!" (1.1.73-74). "Clubs, bills, and also partisans" was a cry used by London apprentices to contact everyone out for a riot. Now all kinds of tools are swinging through the air: swords, clubs, bills (long spears via hooked blades), and also partisans (fancy spears). If that weren"t sufficient, Capulet shows up on one side of the stage and Montague on the other. Both old males desire to go out and sign up with the fight. Montague is flourishing his sword, and also Capulet is calling for his. These old males might be frightening if they weren"t so ridiculous. Montague can not get to the fight because his wife is holding on to him and won"t let go. And as soon as Capulet calls for his sword, his wife claims sarcastically, "A crutch, a crutch! why contact you for a sword?" (1.1.76). Enter Prince Escalus through his Train:In the middle of this mess comes Prince Escalus via his train. A prince"s "train" is his followers; in this situation they act as riot police. As the Prince"s train is busy separating the assorted brawlers from one another, the Prince tries to make himself heard: "Rebellious subjects, adversaries to peace, / Profaners of this neighbor-stained steel,-- (1.1.81-82). "Steel" -- the swords being provided by the combatants -- should be dedicated to the defense of the city; rather, the steel is being profaned by citizens who are staining it with the blood of their next-door neighbors. In spite of the prince"s words, no one is listening and also the swords are still flying, so he has to start over:What, ho! you men, you beastsThat quench the fire of your pernicious rageWith purple fountains issuing from your veins,On pain of torture, from those bloody handsThrow your mistemper"d tools to the ground,And hear the sentence of your moved prince. (1.1.83-88)The Prince is outraged at the beastliness of his citizens. "Pernicious" means even more than "bad"; it implies persistently, progressively bad. Their "pernicious rage" is out of manage, and also they think they have the right to gain satisfactivity just by illustration blood, "fountains" of blood. A fountain, wright here world gather to get their water, is a traditional symbol of the resource of life, so a fountain of blood is an image of horror. To regulate his beastly citizens, the prince has to thrconsumed them with torture. In our time, when prisons are equipped with televisions, the danger of torture might seem unactual, but Shakespeare lived in a time once the rack was supplied, offenders" ears were naicaused the pillory, and also traitors were hung and then disemboweled while still living. The prince"s risk is complied with by an order to "Throw your mistemper"d weapons to the ground." The weapons are "mistemper"d" in the sense that they are angry, that is, offered by angry guys. They are likewise mistempered in an additional sense. Swords are tempered (hardened) by being heated and then rapidly cooled in cold water; these swords are being tempered in their neighbors" blood.Finally the Prince Escalus gets everyone to listen, yet he speaks largely to the heads of the families: "Three civil brawls, bred of an airy word, / By thee, old Capulet, and also Montague, / Have thrice disturb"d the quiet of our streets..." (1.1.89-91). (Who said the "airy word"? Probably Capulet, but maybe Montague, who is equally at fault. Have princes or paleas ever really been interested in listening to the lengthy, long story of who said what first?) These brawls have actually stopped anyone from living in tranquility. They have actually "made Verona"s ancient citizens / Cast by their grave beseeming accessories, / To wield old partisans, in hands as old, / Canker"d via peace, to part your canker"d hate" (1.1.92-95). A "grave beseeming ornament" of an ancient citizen would be a staff of office. The Capulet-Montague feud has actually kept the prehistoric citizens from enjoying the respect they have actually earned. Instead, the prehistoric citizens have had actually to take up weapons of war ("partisans") which have grvery own rusty ("cankered") in peacetime, in order to sepaprice ("part") the two sides and their malignant ("cankered") hate for each various other.The Prince cautions Capulet and Montague that if there"s another fight, they both will certainly be executed. Then he disperses the crowd and orders Capulet to come with him to "old Free-town, our widespread judgment-place" (1.1.102). (Shakespeare took the name "Free-town" from his source, however in the resource it"s the name of Capulet"s villa; in this play it"s a courthome.) Presumably, the Prince is going to keep talking through Capulet until he"s sure that Capulet knows he implies business. Montague"s rotate will come later, in the afternoon. Once more, the Prince orders everyone else ameans. He is obeyed, and also just Montague, Lady Montague, and also Benvolio remain on stage.Exeunt all yet Montague, Lady Montague, and Benvolio:After Prince Escalus has damaged up the brawl and also spread the crowd, Montague asks Benvolio exactly how it all began. Benvolio tells him, and also consists of a disdainful description of Tybalt. He claims that Tybalt came on to the scene with his sword out, "Which, as he breathed defiance to my ears, / He swung about his head and cut the winds, / Who nothing hurt withal hiss"d him in scorn" (1.1.110-112). In other words, Tybalt swung his sword roughly so quick that it made a hissing sound, yet the only point he reduced was the air, which wasn"t hurt and made the hissing sound to disrespect Tybalt.Lady Montague (whom in the earliest version of the play is designated only as "wife") reflects a motherly issue for her boy. She asks, "O, wbelow is Romeo? witnessed you him to-day? / Right glad I am he was not at this fray" (1.1.116-117). Benvolio replies that he was up an hour before dawn, walking west of the city and trying to calm his troubled mind, once he observed Romeo in a grove of sycaeven more. Benvolio walked towards his frifinish, but Romeo spotted him and went even more into the woods, out of sight. Benvolio then describes why he didn"t follow Romeo any type of further: "I, measuring his affections by my very own, / Which then a lot of sought where many might not be uncovered, / Being one as well many type of by my weary self, / Pursued my humour not pursuing his" (1.1.126-129). "Measuring his affections by my own" suggests that Benvolio assumed that if he was up early on through a troubled mind, Romeo most likely was, too. Benvolio"s state of mind was such that he "then a lot of sought wbelow most can not be uncovered." That is, he was searching for a place wbelow no one was likely to discover him. He didn"t want any kind of company because also his own agency was too a lot, "Being one also many type of by my weary self." So Benvolio "pursued" (followed) his own "humor" (feelings) by not "pursuing" (asking about) Romeo"s. In short, Benvolio is such an excellent friend of Romeo that he kbrand-new how Romeo felt and also as soon as to leave him alone.Montague, yet, does not agree that Romeo have to be left alone. He tells Benvolio that Romeo is regularly out in the sycaeven more grove: "Many a morning hath he there been watched, / With tears augmenting the fresh morning dew, / Adding to clouds more clouds through his deep sighs" (1.1.131-133). Not just does Romeo wander about, weeping and sighing, he additionally locks himself in his room and closes the shutters, so that it"s as dark as night. Montague is worried. He states, "Black and portentous have to this humor prove, / Unless excellent counsel might the reason remove" (1.1.141-142). In Shakespeare"s time, the name of Romeo"s problem was "melancholy." We would more than likely speak to it "depression," yet we would certainly agree with Montague that it"s a "portentous...humor," a state of mind that will bring about something even worse. And we would likewise agree that Romeo needs "counsel," that is, advice and also someone to talk to.Benvolio asks if Montague knows the reason for Romeo"s trouble. Montague answers that he does not, though he has actually often asked. Others have likewise tried to gain Romeo to open up, but he hasn"t been willing to talk, so that he is favor "the bud bit through an envious worm, / Ere he can spcheck out his sweet leaves to the air, / Or dedicate his beauty to the sun" (1.1.151-153). Montague is comparing his son to a flower bud being eaten ameans from the inside by a worm, so that he will certainly be ruined prior to he has a opportunity to bloom. We don"t use such fancy language, however we have the same type of worries; any dad would certainly be worried to check out his beautiful child eaten alive by depression.Go into Romeo:As his father is worriedly talking about him, Romeo appears. Benvolio asks Romeo"s parents to step aside so that he have the right to uncover out what"s wrong with Romeo. Benvolio promises that if he doesn"t uncover what Romeo"s difficulty is, it will not be for absence of trying; he states, "I"ll recognize his grievance, or be a lot denied" (1.1.157). Romeo"s parental fees are glad that their boy is going to obtain some peer counseling, and also they leave.Though he hasn"t been saying anypoint to his paleas, Romeo is open with his frifinish, and also starts talking about his difficulty prior to he"s asked. Benvolio claims "Good-morrow, cousin," and also Romeo replies, "Is the day so young?" (1.1.160), indicating that he"s in such bad shape that he"s surprised it"s still morning. Benvolio increates him that it"s not yet nine o"clock, and states, "Ay me! sad hours seem long" (1.1.161). The "Ay me" is a kind of sigh in words, and it appears that Romeo is inviting Benvolio to ask him why he is so sad. Benvolio does ask, and also Romeo tells him that he is "Out of her favor, wbelow I am in love" (1.1.168). Then complies with a long discussion of love, throughout which we find that Romeo is in love simply precisely as the society of the day said a young man was intended to be in love. In the renowned love poetry of Shakespeare"s time, the emphasis is always on the sufferings of the male lover. The lady is beautiful, and her beauty strikes a man through the eyes, right into the heart, making him fall in love. He suffers and tries to tell the lady of his enduring, so that she might pity him and also return his love. But she cruelly rejects his developments, and so he suffers some even more, both from the fire of love and the coldness of her heart. Benvolio knows that it has been ever for this reason, and sympathizes, saying "Alas, that love, so gentle in his watch, / Should be so tyrannous and unstable in proof!" (1.1.169-170), which implies that it"s also bad that love, which looks so excellent, should be so bad when it"s actually competent. Romeo replies, "Alas, that love, whose view is muffled still, / Should, without eyes, check out pathmeans to his will!" (1.1.171-172). Here Romeo is reasoning of love as cupid, who, though he is constantly blindfolded ("whose view is muffled still"), still manperiods to make people loss in love. For a minute, it appears that Romeo is tired of talking about love. He asks Benvolio wright here they are going to have actually lunch, and then exclaims, "O me! What fray was here?" (1.1.173). Apparently he has simply currently viewed somepoint -- a tiny blood, a discarded club or pike -- left over from the street brawl. But neither food nor fighting can really turn Romeo"s thoughts amethod from love. Rather than let Benvolio say anything around the brawl, Romeo states, "Yet tell me not, for I have heard it all. / Here"s much to execute via hate, but even more with love" (1.1.174-175). In saying, "I have actually heard it all," Romeo does not expect that he has heard all around the fight that simply took location. He means that he has heard all around fighting in general. And he doesn"t treatment. Where he states, "Here"s much to perform with" we would say somepoint favor "There"s a lot to-do around," and also Romeo means that no issue just how much world talk around hate, love is more exciting.Romeo then launches right into a series of paradoxes describing love, or at leastern the kind of love he is experiencing, which we would call a hopeless crush. It is both love and also hate at the very same time. It is "any type of point, of nothing first create" (1.1.177), something that can take many type of forms, be anything, but created out of nopoint. It is a sad happiness and also a significant foolishness. It is a "Mis-shapen chaos of well-seeming forms" (1.1.179), a phrase which evokes the lover"s experience of daydreaming about his beloved, but in such a jumbled means, that it"s even more frustrating than enjoyable.Romeo reels off some even more paradoxes about love, then concludes through one about his feelings: "This love feel I, that feel no love in this" (1.1.182-183), which suggests that he feels love, but is not in love through being in love. He also suspects that he"s a fool for being such a fool for love, and asks Benvolio, "Dost thou not laugh?" (1.1.182-183). Benvolio, yet, is expertise and claims that he grieves for Romeo"s unhappy state. Benvolio"s grief for him only adds to Romeo"s burden; he"s not only unhappy, he"s responsible for Benvolio"s unhappiness. Romeo claims, "This love that thou hast presented / Doth include more grief to as well a lot of mine very own." (1.1.188-189). However, Romeo adds more paradoxes to his list. He states that love is the smoke made of sighs, and also when the smoke is cleared amethod, it"s a fire in a lover"s eyes. It"s a stormy sea of tears. It"s a sane insanity. It"s a bitter poichild and also a sweet medication.Wrapped up in his own feelings, Romeo says goodbye to Benvolio, however Benvolio asks to go in addition to him, and also Romeo gives him a kind of an apology: "Tut, I have actually shed myself; I am not here; / This is not Romeo, he"s some other where" (1.1.197-198). Then Benvolio, trying to bring Romeo ago to himself, says, "Tell me in sadness, that is that you love?" (1.1.199). By "in sadness" Benvolio indicates "seriously, truthcompletely," however Romeo accoffers him of wanting to make him sad, of wanting to hear him groan as he names the lady. Benvolio says that"s not his intention, and aobtain asks who the lady is. Romeo replies that asking that question is choose asking a sick man to make his will; Romeo is dying for love of this lady, and also if he names her, he"ll die for sure.To stop answering his friend"s question, Romeo flippantly declares that the one he loves is a womale. With gentle irony, Benvolio replies, "I aim"d so near, when I expected you loved" (1.1.205). Romeo renders a joke out of "aim"d" by answering "A ideal excellent mark-man ! Then he adds, "And she"s fair I love" (1.1.206). Benvolio answers Romeo"s word-play through some of his own: "A appropriate fair note, fair coz, is soocolony hit" (1.1.207). In archery, a "fair mark" is one that"s easy to hit; Benvolio is saying that bereason the lady is beautiful, she might be basic to win. (It seems that some guys have actually always made that type of presumption, in Shakespeare"s time and also ours.) Besides that, Romeo is also good-looking ("fair"), and also that need to aid.However before, Romeo refsupplies to be hopeful. He declares that the lady cannot be hit "With Cupid"s arrow; she hath Dian"s wit" (1.1.209). "Dian" is Diana, the fierce goddess of chastity. (When Actaeon taken place to see Diana bapoint, she puniburned that trespass versus her chastity by turning him right into a stag and also hunting him to death via his own dogs.) The lady is a veritable fortress of chastity, says Romeo: "She will certainly not stay the siege of loving terms, / Nor bide the encounter of ascruising eyes, / Nor ope her lap to saint-seducing gold" (1.1.212-214).(Has Romeo actually laid siege to her through words, or assailed her via his eyes, or tried to seduce her through gold? We are not told, but it seems unmost likely. The love poetry of Shakespeare"s time sassist that the lover can be struck by love merely by seeing the lady, without her having a clue, and also what popular society states deserve to take place, usually does.)Benvolio asks, "Then she hath sworn that she will certainly still live chaste?" (1.1.217). Romeo answers that she has actually, and also that in doing so she is damaging beauty. (The idea, a favorite one in Shakespeare"s sonnets, is that beautiful human being that refuse to have actually children kill beauty by not passing it on to future generations.) She"s also damaging him: "She hath forsworn to love, and in that vow / Do I live dead that live to tell it now" (1.1.224). Benvolio, however, doesn"t seem to think Romeo"s instance is hopemuch less. He advises him to put the lady out of mind. Romeo asks just how that deserve to be done, and also Benvolio answers, "By giving liberty unto thine eyes; / Examine various other beauties" (1.1.228). Romeo replies, ""Tis the means / To contact hers (exquisite!) in question more" (1.1.228-229). As Romeo uses it, "To call...in question" indicates the opposite from what it implies currently. He means that looking at other beauties would certainly just make his lady"s beauty more vivid. Romeo then drives his point home via various other examples. Sun-blocking masks are black, which just renders guys think about the whiteness of the lady"s skin underneath the black mask. A man who is struck blind can not forobtain that he once can view. All of this leads him to his point, which is that Benvolio have the right to never teach him how to forgain the beauty of his lady-love. Romeo then bids Benvolio farewell, however Benvolio goes along with him, informing him that, yes, he deserve to too teach him just how to forobtain the lady.
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The close of the scene only interrupts this conversation. A few minutes later, in the following scene, we will certainly check out these two stating the exact same topic -- Romeo"s love-sickness.